共 23 篇
- 01 - Introduction
- 02 - Melody
- 03 - General Characteristics of Counterpoint; Pedagogical Foundations
- 04 - Two-Voice Note-Against-Note Counterpoint
- 05 - Simple Diminution 2 1 Elaboration of the Counterpointing Voice
- 06 - Further Rhythmic Diminution; Two-Voice Chorale Preludes
- 07 - Free Counterpoint; Simple Two-Reprise Form
- 08 - Further Diminution Techniques in Two-Voice Texture
- 09 - Real Imitation and Double Counterpoint
- 10 - The Two-Part Canon and Invention
- 11 - Introduction to Three-Voice Texture; Note-Against-Note and Simple Diminution
- 12 - Further Rhythmic Diminution; Three-Voice Chorale Preludes
- 13 - Chromaticism
- 14 - Free Counterpoint in Three Voices; Extended Two-Reprise Form
- 15 - Tonal Imitation Further Studies in Invertible Counterpoint
- 16 - Additional Contrapuntal Devices Further Study of Canon
- 17 - The Three-Voice Fugue
- 18 - Introduction to Four-Voice Texture; Further Study in Chorale Prelude
- 19 - Variations
- 20 - Further Studies in Fugue
- 21 - Choral Writing
- 22 - The Pedagogical Foundations of Counterpoint in the Classical Period
- 23 - Examples of Counterpoint in the Classical Period